Focusrite’s Saffire range of Firewire audio interfaces highlights the fundamental features that distinguish the sound quality of Focusrite interfaces from other available products in their class: precision analogue/digital conversion quality, a result of careful circuit design, multi-layer board layout and component choices; and Focusrite’s award-winning mic preamps, developed from 30 years of experience in mic pre design and created especially for our interfaces to deliver clean, transparent sound with minimal noise and distortion.
Liquid Saffire 56 is Focusrite’s flagship multichannel FireWire audio interface. Built into a sturdy 2U enclosure, all the controls are placed for easy access on a busy session – and Liquid Saffire 56 can handle the busiest session! Liquid Saffire 56 is ready-made to form the heart of your studio, with the versatility and I/O capability you need.
Features
Two Liquid Preamps
Six High Quality Award-winning Focusrite Preamps
High Quality 24-bit/192kHz FireWire interface
Total I/O Count of 28 Inputs and 28 Outputs
Suite of Focusrite VST/AU plug-ins
Two separate headphone buses
Saffire Mix Control Zero-latency DSP Mixer/Router
Front panel five-step LED metering
What’s in the box
Focusrite Liquid Saffire Pro 56
What's in the box
Microphone Inputs
Dynamic Range (A-Weighted): 109dB
SNR (A-weighted): -109dB
Frequency Response: 20Hz – 20kHz +/- 0.1 dB
THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)
Maximum level (A-weighted): 8dBu at 1%
Line Inputs
Dynamic Range (A-Weighted): 109dB
SNR (A-weighted): -109dB
Frequency Response: 20Hz – 20kHz +/- 0.1dB
THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
Noise: -90dBu (22Hz/22kHz bandpass filter)
Maximum level (A-weighted): 28.5dBu at 1%
Instrument Inputs
Frequency Response 20Hz-20KHz +/- 0.1dB
Maximum Input Level min gain no pad +8dBu
Maximum Input Level max gain no pad -42dBu
THD+N, -1dBFS, min gain, no pad < 0.0015%
SNR 109dB “A”
DNR 109dB “A”
Input Impedance > 1MOhm
X-talk < -100dB
Adjustable Gain > 50dB
Pad Attenuation 10dB
Headphone Outputs
Frequency Response 20Hz-20KHz +/- 0.1dB
SNR 109dB “A”
DNR 109dB “A”
Maximum Output into 32R +12.4dBu (+10.2dBV)
Power into 32R 250mW
Output Impedance < 7Ohms
Load Impedance > 24Ohms
Line level Outputs
Dynamic Range (A-Weighted): 108dB
SNR (A-weighted): -108dB
THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
Maximum level (A-weighted): 15.7dBu at 0.883%
Additional Conversion Performance
Clock jitter < 250 picoseconds
THD+N AMPL (A-weighted)= -109dBFS
Connectivity Analogue Channel Inputs (Inputs 1-8)
Mic inputs 1-8 on rear XLR’s.
Line inputs 1-8 on rear 1/4” TRS.
Instrument inputs on channels 3 and 4 (separate front panel 1/4” TRS).
Notes
Individual switchable High Pass Filter on all inputs.
Phase switch on inputs 3, 5 and 7.
Input Pad on inputs 3 and 4 = -10dB.
Analogue Outputs
Line level 10 x 1/4” TRS Jack.
Notes
Outputs Monitor 1 and 2 have anti-thump protection circuitry.
Digital I/O
SPDIF input and output (RCA phono) on rear panel, (24-bit, 44.1 – 192kHz), output transformer isolated.
Optional AES output mode with professional channel status and voltage levels on SPDIF output.
2 x ADAT In / Out 16 channels (44.1 / 48kHz), 8 channels S-MUX (88.2 / 96kHz), 4 channels S-MUXII (176.4 / 192kHz).
ADAT Input and Output 2 can be re-configured to be optical SPDIF input / output via control panel.
BNC Word clock input and output (75 ohms).
MIDI I/O
1 in / 1 out (16 channels) on rear panel.
Headphone monitoring
2 x 1/4” TRS Jack on front panel (mirrors outputs 7-8 and 9-10). NOTE: These are high power headphone drivers.
Other I/O
2 x 6 pin FireWire 400 socket – also compatible with FireWire 800 and Thunderbolt
2 Standard 5-pin DIN MIDI connectors: In and Out
IEC mains power input connector
Weight and Dims
5kg / 11 Ibs
480mm / 19″ (W) x 90mm / 3.6″ (H) x 235mm /9.3″ (D)
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