Product Description
The Saffire PRO 26 from Focusrite is an 18-in/8-out Thunderbolt-ready FireWire 400 audio interface. It is capable of capturing audio in up to 24-bit/96 kHz resolution and features 4 Focusrite preamps with selectable 48-volt phantom power on its rear panel.
Additionally, the Saffire PRO 26 has 2 rear-panel 1/4″ line inputs, 2 front-panel instrument/line inputs, and ADAT optical and S/PDIF digital I/O connectivity options.
The interface features a FireWire 400 port and includes a FireWire 400 to 800 adapter cable. The Saffire Pro 26 is portable and can be bus-powered via FireWire, making it an ideal mobile recording rig. An optional FireWire to Thunderbolt adapter allows for Thunderbolt connectivity, albeit at FireWire 400 speed. To help you get started recording, Focusrite has included a downloadable software bundle with DAW, plug-ins, and virtual instruments.
The Focusrite Red 2 and Red 3 Plug-In Suite (AAX, Audio Units, VST) delivers accurately modeled plug-ins based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. The plug-ins allow for conveniently exploring the sound of the hardware originals from within Pro Tools (10 and above), along with other audio software. The software is a free download for new and current owners of the Saffire PRO 26.
In addition to the Red 2 and Red 3 Plug-in Suite, the interface includes the Softube Time and Tone Pack. Modeled after the Drawmer 1973 FET Stereo compressor hardware, the Drawmer S73 Intelligent Master Processor is a plug-in that aids in balancing and shaping a mix. TSAR-1R Reverb adds space, depth, and width to a sound. Change settings with a single slider, from realistic three-dimensional rooms to dramatic and dreamlike halls. Tube Delay is an echo effect that can go from clean to rude by overdriving its three modeled-tube stages – delivering everything from realistic room echoes, to rockabilly-style slap back, to dub reggae echo. Saturation Knob is a modeled output distortion unit that adds grit and warmth – use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy a drum loop.
Features:
- Focusrite Preamps
- Focusrite’s preamp heritage lies at the heart of Saffire PRO 26, which includes four Focusrite-designed preamps
- 24-bit/96 kHz Conversion
- The Saffire Pro 26 features A-D / D-A conversion with JetPLL jitter reduction technology as well as reliable synchronization
- Multiple Connectivity Options
- Saffire PRO 26 will connect to multiple ports on your computer including FireWire and Thunderbolt ports. Saffire PRO 26 connects to a Thunderbolt port via a FireWire to Thunderbolt adaptor (not included) or directly to a FireWire 800 port with the provided cable
- Keep Your USB Buses Free
- If you’re connecting multiple USB devices to your computer such as external hard drives, mice, and keyboards, streaming audio over a separate FireWire port (or over a Thunderbolt port via an optional adapter) will allow you to keep your USB ports free and reduce the possibility of interference with other devices
- 18 Inputs and 8 Outputs
- A host of I/O options is provided, including four mic/line pres, two of which have high-impedance instrument capability and 8 dB pads, plus two additional TRS inputs; two independently-controlled headphone outputs, six TRS line outputs, and a ‘loopback’ facility for routing audio between software applications via Saffire MixControl
- Expandable Inputs with ADAT Optical
- ADAT optical input allows extensive input expansion of your interface – expand Saffire PRO 26 with up to eight additional preamps or line inputs. Pair Saffire PRO 26 with Focusrite’s OctoPre MkII eight-channel preamp and transform your interface into a 12 preamp unit
- FireWire Bus-Powered
- Connect directly to your FireWire port for bus-power – useful for live or mobile recording applications
- Dual Headphone Outputs for Multiple Monitor Mixes
- Give multiple artists independent, fully customized monitor mixes – two with independent headphone sockets and front-panel level controls
- 5-Segment LED Metering
- Use the six front-panel LED meters to monitor input levels when recording
- Portable Chassis
- Saffire PRO 26 can sit neatly on your desktop, and will fit into a bag for mobile recording or live performance usage
- Software Bundle
- Included is a DAW in the form of Ableton Live Lite, Focusrite’s Midnight and Scarlett plug-in suites, Novation BassStation virtual synthesizer, and 1 GB of Loopmasters sample content
- Softube Time and Tone Bundle
- Contains Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay echo effect, and Saturation Knob, a modeled output distortion unit
What's in the box
Features
I/O |
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Inputs | 2x Front-panel 1/4" line/instrument inputs
2x Rear-panel XLR microphone inputs
2x Rear-panel combo XLR/TRS 1/4" microphone/line inputs
2x Rear-panel 1/4" line inputs
1x S/PDIF digital input
1x Optical ADAT digital input
1x 5-pin DIN MIDI input
1x Power supply input |
Outputs | 2x Front panel 1/4" headphone outputs
6x Rear panel 1/4" line outputs
1x S/PDIF digital output
1x 5-pin DIN MIDI output |
Connection | 1x FireWire 400 port |
Preamplifier |
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Maximum Input Level | Without Pad: +8.5 dBu, Balanced ≤ 1% THD
With Pad: +16.6 dBu, Balanced ≤ 1% THD |
Bandwidth | 20 Hz (minimum gain): -0.11 dB, roll-off when 0 dB @ 1 kHz
20 kHz (minimum gain): 0.02 dB, roll-off when 0 dB @ 1 kHz
20 Hz (maximum gain): -1.4 dB, roll-off when 0 dB @ 1 kHz
20 kHz (maximum gain): -0.45 dB, roll-off when 0 dB @ 1 kHz |
THD + N | Minimum Gain: < -98 dB, -1 dBFS input, 20 kHz bandwidth
Maximum Gain: < -81 dB, -1 dBFS input, 20 kHz bandwidth |
EIN | < -124 dBu, maximum gain, 150 ohm termination, CCIR-RMS weighting |
dBFS Relative to dBu | Minimum Gain: -8.2 dB
Maximum Gain: 41.9 dB |
Gain Range | 50 dB |
CMRR | @ 997 Hz:
Minimum Gain: < -54 dB
Maximum Gain: < -84 dB@ 20 kHz:
Minimum Gain: < -45 dB
Maximum Gain: < -75 dB |
Noise | NiPoS:
Minimum Gain: < -106 dBu, 150 ohm termination, CCIR-RMS weighting
Maximum Gain: < -82 dBu, 150 ohm termination, CCIR-RMS weighting |
Phantom Power | Unloaded: 47.1 V
P48 Load: 13.7 V |
Crosstalk | 20 Hz: < -99 dB
997 Hz: < -96 dB
20 kHz: < -88 dB |
Line Input |
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Maximum Input Level | Variable Gain: > 28 dBu, Balanced, ≤ 1% THD
Fixed Gain: +10.7 dBu, Balanced, ≤ 1% THD |
Bandwidth | 20 Hz (minimum gain): -0.07 dB, roll-off when 0 dB @ 1 kHz
20 kHz (minimum gain): 0.04 dB, roll-off when 0 dB @ 1 kHz
20 Hz (fixed gain): -0.1 dB, roll-off when 0 dB @ 1 kHz
20 kHz (fixed gain): 0.02 dB, roll-off when 0 dB @ 1 kHz
20 Hz (maximum gain): -1.35 dB, roll-off when 0 dB @ 1 kHz
20 kHz (maximum gain): -0.47 dB, roll-off when 0 dB @ 1 kHz |
THD + N | Minimum Gain: < -88 dB, -1 dBFS input, 20 kHz bandwidth
Fixed Gain: < -99 dB, -1 dBFS input, 20 kHz bandwidth
Maximum Gain 1&2: < -63 dB, -1 dBFS input, 20 kHz bandwidth
Maximum Gain 3&4: < -73, -1 dBFS input, 20 kHz bandwidth |
EIN | 1&2: < -83 dBu, maximum gain, 50 ohm termination, CCIR-RMS weighting
3 to 6: < -94 dBu, maximum gain, 50 ohm termination, CCIR-RMS weighting |
dBFS Relative to dBu | Minimum Gain: -30.7 dB
Fixed Gain: -10.4 dB
Maximum Gain: 19.5 dB |
Gain Range | 50.2 dB |
CMRR | 997 Hz:
Minimum Gain: < -50 dB
Fixed Gain: < -56 dB
Maximum Gain: < -56 dB20 kHz:
Minimum Gain: < -44 dB
Fixed Gain: < -47 dB
Maximum Gain: < -54 dB |
Noise | NiPoS:
Minimum Gain: < -105 dBu, 50 ohm termination, CCIR-RMS weighting
Fixed Gain: < -107 dB, 50 ohm termination, CCIR-RMS weighting
Maximum Gain 1&2: < -64 dBu, 50 ohm termination, CCIR-RMS weighting
Maximum Gain 3&4: < -75 dBu, 50 ohm termination, CCIR-RMS weighting |
Instrument Inputs |
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Maximum Input Level | Without Pad: +8.1 dBu, unbalanced ≤ 1 % THD
With Pad: +12.8 dBu, unbalanced ≤ 1 % THD |
Bandwidth | 20 Hz (minimum gain): -0.02 dB, roll-off when 0 dB @ 1 kHz
20 kHz (minimum gain): -0.01 dB, roll-off when 0 dB @ 1 kHz
20 Hz (maximum gain): -1.3 dB, roll-off when 0 dB @ 1 kHz
20 kHz (maximum gain): -0.48 dB, roll-off when 0 dB @ 1 kHz |
THD + N | Minimum Gain: < -92 dB, -1 dBFS input, 20 kHz bandwidth
Maximum Gain: < -59 dB, -1 dBFS input, 20 kHz bandwidth |
EIN | < -97 dBu, maximum gain, 600 ohm termination, CCIR-RMS weighting |
dBFS Relative to dBu | Minimum Gain: -7.8 dB
Maximum Gain: 42.3 dB |
Gain Range | 50 dB |
Noise | Minimum Gain: < -105 dBu, 600 ohm termination, CCIR-RMS weighting
Maximum Gain: < -60 dBu, 600 ohm termination, CCIR-RMS weighting |
Line Outputs |
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Maximum Output Level | 15.9 dBu, 0 dBFS input level |
Bandwidth | 20 Hz: -0.08 dB, roll-off when 0 dB @ 1 kHz
20 kHz: -0.63 dB, roll-off when 0 dB @ 1 kHz |
THD + N | < -95 dB, - 1 dBFS input, 20 kHz bandwidth |
Noise | NiPoS: < -83 dBu, 50 ohm termination, CCIR-RMS weighting |
Dynamic Range | > 99 dB, 20 kHz bandwidth |
Crosstalk | 20 Hz: < -102 dB
997 Hz: < -101 dB
20 kHz: < -84 dB |
Headphone Output |
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Maximum Output Level | Unloaded: 13.7 dBu, 0 dBFS input signal
600 ohms: 13.6 dBu, 0 dBFS input signal
150 ohms: 13.2 dBu, 0 dBFS input signal
33 ohms: 10.2 dBu, 0 dBFS input signal |
THD | @ 0 dBFS:
Unloaded: < -47 dB, 20 kHz bandwidth
600 ohms: < -40 dB, 20 kHz bandwidth
150 ohms: < -31 dB, 20 kHz bandwidth
33 ohms: < -17 dB, 20 kHz bandwidth |
Minimum Level | Unloaded: 0.0 dBFS, ≤ 1% THD
600 ohms: 0.0 dBFS, ≤ 1% THD
150 ohms: -0.4 dBFS, ≤1 % THD
33 ohms: -3.0 dBFS, ≤1 % THD |
Maximum Level | Unloaded: 13.7 dBu, ≤1 % THD
600 ohms: 13.6 dBu, ≤1 % THD
150 ohms: 12.8 dBu, ≤1 % THD
33 ohms: 8.9 dBu, ≤1 % THD |
Maximum Power | 600 ohms: 13.6 dBm,≤1 % THD
18.8 ohms: 18.8 dBm, ≤1 % THD
33 ohms: 21.4 dBm, ≤1 % THD |
Digital |
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Clock Accuracy | 44.1 kHz: 4.5 ppm
48 kHz: 6.5 ppm |
System Requirements |
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Windows | CPU/Clock: 900 MHz or Pentium (1.5 GHz or higher recommended)
Memory (RAM): 512 MB (More recommended)
Screen Resolution: 1024x768 (1280x1024) or more recommended) |
Mac | CPU/Clock: Power PC G4/Dual 1 GHz or faster or any Intel-based Mac
Memory (RAM): 512 MB (More recommended)
Screen Resolution: 1024x768 (1280x1024) or more recommended) |
Physical |
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Dimensions (WxDxH) | 10.7 x 18.5 x 4.3" (273 x 470 x 108 mm) |
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