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Product Description
Focusrite Scarlett-6i6 USB 2.0 Audio Interface Sound Card
Scarlett-6i6 USB 2.0 Audio Interface from Focusrite features 6 inputs and 6 outputs, including 2 front-panel microphone preamps on XLR / 1/4″ TRS combo inputs that can also be used as line-level and Hi-Z instrument inputs. The 6i6 is compatible with Mac, Windows, and iPad – requires an Apple Camera Connection Kit (sold separately).
The Scarlett 6i6 is capable of resolutions up to 24-bit / 96 kHz and features a wide range of connectivity. Its 2 front-panel microphone inputs can provide up to 60 dB of gain and have switchable phantom power. The rear panel has 2 additional 1/4″ TRS line inputs as well as a stereo S/PDIF input. The 6i6 also provides MIDI input and output jacks.
The Scarlett-6i6 has 4 line outputs on 1/4″ TRS jacks, a stereo S/PDIF output, and two independent headphone outputs. It is housed in a rugged and compact unibody metal case, designed to withstand constant use.
The Focusrite Red 2 and Red 3 Plug-In Suite (AAX, Audio Units, VST) delivers accurately modeled plug-ins based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. The plug-ins allow for conveniently exploring the sound of the hardware originals from within Pro Tools (10 and above), along with other audio software. The software is a free download for new and current owners of the Scarlett 6i6.
In addition to the Red 2 and Red 3 Plug-in Suite, the interface includes the Softube Time and Tone Pack. Modeled after the Drawmer 1973 FET Stereo compressor hardware, the Drawmer S73 Intelligent Master Processor is a plug-in that aids in balancing and shaping a mix. TSAR-1R Reverb adds space, depth, and width to a sound. Change settings with a single slider, from realistic three-dimensional rooms to dramatic and dreamlike halls. Tube Delay is an echo effect that can go from clean to rude by overdriving its three modeled-tube stages – delivering everything from realistic room echoes, to rockabilly-style slap back, to dub reggae echo. Saturation Knob is a modeled output distortion unit that adds grit and warmth – use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy a drum loop.
Features:
Gain Halos
- Unique LED ring “gain halo” indicators make it clear when you have adequate signal for recording. Once the halos are green you have a good level; if they turn red, you’ve applied too much gain.
- Scarlett MixControl
- Scarlet MixControl provides a 6 x 6 DSP mixer with flexible routing capabilities, intuitive one-click presets, and lower than 1.4 ms latency.
- Monitor Control
- A large, main monitor-volume knob keeps monitor levels at your fingertips.
- Software Bundle
- Scarlett 6i6 comes with the Scarlett Plug-in Suite, the Novation Bass Station soft synth, and Loopmasters sample content.
- Focusrite Red Plug-In Suite
- Focusrite Red 2 and Red 3 Plug-In Suite (AAX, Audio Units, VST) delivers accurately modeled plug-ins based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware.
- Softube Time and Tone Bundle
- Contains Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay echo effect, and Saturation Knob, a modeled output distortion unit.
What’s in the box
- Focusrite Scarlett 6i6 2.0 USB Audio Interface
- USB Connector Cable
- User Guide
- One (1) Year Warranty
What's in the box
Features
| Mac System Requirements | OS X 10.7 (Lion) to OS X 10.10 (Yosemite) iPad use requires an Apple Camera Connection Kit (sold separately) Available USB 2.0 port |
| Windows System Requirements | Windows 7 (all versions), Windows 8 (excluding RT), and Windows 10 Available USB 2.0 port |
| Inputs & Outputs | |
|---|---|
| Analog Inputs | 2 x XLR / 1/4" TRS combo jack - Mic/Line/Hi-Z Instrument 2 x 1/4" TRS - Line In |
| Digital Inputs | 1 x RCA coaxial - S/PDIF stereo |
| MIDI Ports | 1 x 5-pin DIN - MIDI input 1 x 5-pin DIN - MIDI output |
| Analog Outputs | 4 x 1/4" TRS - Line Outputs |
| Digital Outputs | 1 x RCA coaxial - S/PDIF stereo output |
| Headphone Outputs | 2 x 1/4" TRS stereo |
| USB Connector | 1 x USB 2.0 type B |
| Performance | |
|---|---|
| Dynamic Range | A/D: 104 dB CCIR-RMS (all inputs) D/A: 102 dB CCIR-RMS (line outputs) |
| Sample Rates | 44.1, 48, 88.2, 96 kHz |
| Bit Depth | 16-, 24-bit |
| Clock Jitter | < 250 ps |
| Phantom Power for Mic Inputs | +48 V, switchable |
| Microphone Inputs | |
|---|---|
| Frequency Response | ±0.5 dB @ 20 Hz, ±0.1 dB @ 20 kHz (min. gain) |
| THD + N | -96 dB (1 kHz, -1 dBFS, 20 kHz BW) |
| Equivalent Input Noise | -122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination) |
| Maximum Input Level | +9 dBu (without pad) |
| Line Inputs | |
|---|---|
| Frequency Response | ±0.5 dB @ 20 Hz , ±0.1 dB @ 20 kHz (min. gain) |
| THD + N | -80 dB (1 kHz, -1 dBFS, 20 kHz BW) |
| Noise | -105 dBFS CCIR-RMS (min. gain, 50 ohm termination) |
| Maximum Input Level | > +28 dBu |
| Instrument Inputs | |
|---|---|
| Frequency Response | ± 0.3 dB @ 20 Hz, ± 0.1 dB @ 20 kHz (min. gain) |
| Noise | -103 dBFS CCIR-RMS (measured at min. gain) |
| Maximum Input Level | +8 dB (without pad) |
| Line Outputs | |
|---|---|
| Maximum Output Level | +11 dBu, balanced (@ 0 dBFS) |
| THD + N | -100 dB (1 kHz, -1 dBFS, 20 kHz BW) |
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