Description

The Infinity continues in the tradition of it’s highly successful  applications in live performance PA, installed systems in churches, theatres and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the Infinity GRX3204AUX

The stylish new desk looks  includes a new frame, module ID graphics and end-cheeks, making the Console not only easy to use but creating a system that will be the envy of professionals everywhere.

The live mixer qualities with basic recording-oriented features, in a compact frame that’s light enough for one person to carry yet easy to configure and use. This makes it especially suitable for multi-purpose use in venues such as small halls and community centres, while its direct channel outputs make it an ideal choice for bands who need a live desk that can double up in the studio.

• Housed in a choice of 16, 24 or 32 channel frame, Infinity live mixer provides 24, 32 or 40 inputs – with no less than 13 separate bus outputs including mix, 4 groups, a dedicated mono bus for centre speaker clusters, side or rear fills, and six auxiliary busses.
• There are also 8, 16 or 24 direct outs, depending on the frame size of your console.
• The mic preamp providing 60dB of gain and 22dBu of headroom. Each input also includes 4 band EQ with two swept mid frequency controls. In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter, allow effective audio control in difficult venues whilst the six auxiliary sends are pre-post switchable in pairs from each channel, providing a maximum of 4 pre-fader and six post-fader.
• It’s groups section houses two further stereo inputs – with EQ, auxiliaries for keyboards or stereo recording devices – as well as two FX returns. All four groups are routable to mix and include 12 segment bargraph metering for accurate monitoring and inserts. Six auxiliary masters on rotary controls also included AFL soloing.
• In the master section there is talkback provision to all pre-fade auxiliaries and the mix. Phantom power in banks of four, and a two track return for pre-show music are also present. A “two-track” to mix switch allows the engineer to play CD’s over the main PA whilst back-stage set-up is going on, with one press of a button. The mix is also routable to the separate mono bus if mono PAs are required.
• The mixer is built in a rugged wedge-shaped steel chassis with an internal power supply, professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

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