Description
The black Rokit 5 G3 from KRK is a 50W two-way active studio monitor for your home or professional studio. Equipped with a bi-amped, class A/B amplifier that powers a 5″ woofer and a 1″ tweeter, the Rokit 5 G3 is designed to offer maximum headroom with minimal distortion. The soft-dome tweeter, which provides extended response up to 35 kHz, is designed with a proprietary waveguide that is optimized for improved imaging. The aramid glass composite woofer has been engineered to deliver a clear response in the midrange along with a tight low end.
The black Rokit 5 G3 from KRK is a 50W two-way active studio monitor for your home or professional studio. Equipped with a bi-amped, class A/B amplifier that powers a 5″ woofer and a 1″ tweeter, the Rokit 5 G3 is designed to offer maximum headroom with minimal distortion. The soft-dome tweeter, which provides extended response up to 35 kHz, is designed with a proprietary waveguide that is optimized for improved imaging. The aramid glass composite woofer has been engineered to deliver a clear response in the midrange along with a tight low end.
Features
- 5″ Aramid Glass Composite Woofer
- 1″ Soft-Dome Tweeter
- Bi-Amped Class A/B Amplifier
- Proprietary Waveguide
- Low and High Frequency Adjustment
- Front Firing Port
- Radiused Edges
- Low-Resonance Enclosure
- XLR, TRS and RCA Input Connectors
- Factory Installed Foam Pad
What’s in the box
- KRK RP5G3 Rokit 5 Gen 3 Powered Studio Monitor
- Power Cable
- User Manual
Majek harold –
With these ROKIT 5’s, it seems like I can get a good feel for what the mix will sound like in all different applications, which is really impressive considering how much they cost!
Faruk M. –
Great near field monitors. I’ve used larger studio monitors in a home studio for some time, but was sorely missing the clarity of a good pair of near field monitors. In the past we had some Yamaha NS10’s for mixing, but these have long since departed. I finally broke down and tried a pair of these little KRK 5’s, they were just what I was looking for. A little less brash than the NS10, but still very balanced. They allow distinguishing and putting a magnifying glass on each area of the mix equally, which is exactly what I needed. They aren’t the greatest sounding speakers for just listening to a groove, but I don’t think they were designed to be. As a near field monitor, however, they are very honest to the mix. I would highly recommend these.
Kalu Essien –
I bought 2. They don’t sound good, they sound perfect. Outstanding imaging, like wearing really good headphones. The headroom is amazing….and so far the’ve impressed me on everything I’ve thrown at them. Hip hop, rock, alt rock, classical. I’ll be getting a sub to mix down hip hop beats, but i don’t think it would be necessary for most music. They aren’t warm and fuzzy speakers. They reproduce sound the way it was originally mixed and allow you to make great mix downs.
Collins Henry –
Bass crazy.. will sound best after broken in.. will sound amazing if professionally fitted into studio.. although DIY well done sound setup will greatly improve how they sound.. very loud very Well balanced Highs and Mids, the deep end is where these puppies really move air along.. Setup properly your bass traps and you might avoid the sub. But a subpac and these monitors would be a very very interesting option